2 Kasım 2011 Çarşamba

Arhai-din-ka Jhompra Mosque, Ajmer, India

Southeast corner tower of mosque (exterior)
Built by Sikandar Shah, the second sultan of the Ilyas dynasty, the Adina mosque is one of the largest mosques to be built in the subcontinent and the only hypostyle mosque in Bengal. Located twelve miles from the town of Malda and along a major road leading to north Bengal, the sultan probably built it as a visual proclamation of his victory over the Delhi ruler, Firuz Shah Tughluq. The mosque is mostly in ruins today following the damages sustained during the earthquakes in the 19th and early 20th centuries.

Main entrance viewed from southeast
Similar in plan to the Great Mosque of Damascus, it is a rectangular, hypostyle structure, with an open central courtyard. Externally it measures 524' x 322' (154.3 x 87m) with the longer side running north-south, while the courtyard measures 426'-6"x147'-7"(130 x 45m). The prayer hall is located to the west, and is divided into two symmetrical wings by a central nave (78'x 34' and 64' high) that was originally covered by a pointed barrel vault. The high central vaulted nave may be traced to Persian antecedents, Taq-i-Kisra, a pre-Muslim monument at Ctesiphon. The prayer hall is five aisles deep, while the north, south and east cloisters around the courtyard consist of triple aisles. In total, these aisles had 260 pillars and 387 domed bays. The interior of the courtyard is a continuous façade of 92 arches surmounted by a parapet, beyond which the domes of the bays can be seen.

Stairways leading up to main (east) entrance
The main entrance of the mosque consists of three arches that open on the southeastern corner. Today it can only be entered from the east through a modest arched opening. Another three small entrances are in the northwestern wall, two of which lead to the Badshah-ka-takht, a private worship area for the kings and the ladies. The exterior of the west wall is the best-preserved section of the mosque and is faced with smooth blue-grey basalt up to a height of 11'. Much of the finely worked basalt was taken from the earlier Hindu building at Lakhnauti or other areas nearby. Proof of this is in the stones embedded in places like the minbar and walls of the Badshah-ka-takht (King's throne) that display carved figures. Most of the upper part of the building - the arches and the domes - is of brick. At the corners of its exterior walls are circular stone-faced, blind engaged turrets. 
Lintel (architrave) placed across gateway arch for additional support
The lower eleven feet of the columns are faced with stone while the upper portions are articulated with beautifully molded brick molds up to the midpoint, beyond which the surface due to erosion becomes smooth.

  Gateway balcony detail
The prayer hall is a series of arches mounted on short, powerful pillars with square plinths and weighty block capitals. The columns supporting the hall of the Badshah-ka-takht are of more normal proportions, with graceful tapered shafts and capitals in the shape of open lotus flowers, which are derived from Hindu structures. The central mihrab is located at the end of the central nave with a smaller additional mihrab and a stone minbar flanking it. A series of secondary mihrabs runs along the whole western wall. In total, the 39 mihrabs, the minbar and other ornamentations are rigorously Islamic in their general conception but Hindu in almost all the details: small scalloped columns and plinths in the shape of lotus flowers, corbels, trilobate arches each with its sharp end cuspidated with a vase of flowers, volutes representing leaves, rhomboid lozenges and friezes of lotus petals.
  East façade of main gateway viewed from inside the courtyard
Along with the Hindu motifs, the interior of the mihrab niche is divided into panels containing the Islamic motif of the 'hanging lamp' commonly used in Bengal and is thought to be the visual representation of Surah Al-Nur (Chapter of Light in the Quran).
Secondary (south) entrance viewed from southwest
The Badshah-ka-takht is a square structure with an L-shaped ramp on its north; on its east are two doors that lead to the raised takht (throne) inside. One of the doors was originally carved for a Hindu temple. The square structure was divided into nine bays with nine domes supported in stone columns. This chamber is now believed to house the tomb of Sikander Shah. Since this chamber was the sole entrance to the takht, it is highly unlikely that it was meant as a burial chamber. 
  Seven-arch façade covering the prayer hall by Iltutmish
The L-shaped ramp also negates the notion of this as a burial chamber since it resembles a royal entrance to a fortress. Hence, the structure must have become a makeshift grave due to the emperor's untimely death.
Three secondary arches of prayer hall façade
Central arch of prayer hall façade 
  Secondary arch of prayer hall façade
  Quranic verses carved in high relief
  Secondary arch of prayer hall façade
  Small repeat motifs forming a decorative surface
  Detail of a carved pattern
  Nave and mihrab viewed through central arch
 Mihrab
  View from southwest of the roof of prayer hall with primary and secondary domes. 
Central arch rising in the background and nave visible below
  Southwest corner of mosque (exterior)
  Nave viewed from south to north
  Forest of columns rising up to support the ceiling
  Details of the ceiling
  Three rows of Hindu pillars stacked to support the high ceiling
  Corbelled ceiling

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